{"id":554,"date":"2012-11-08T09:59:47","date_gmt":"2012-11-08T08:59:47","guid":{"rendered":"http:\/\/blogs.elcorreo.com\/colomba\/?p=554"},"modified":"2012-11-08T09:59:47","modified_gmt":"2012-11-08T08:59:47","slug":"la-mujer-en-el-arte-a-lo-largo-de-la-historia","status":"publish","type":"post","link":"https:\/\/blogs.elcorreo.com\/colomba\/2012\/11\/08\/la-mujer-en-el-arte-a-lo-largo-de-la-historia\/","title":{"rendered":"La mujer en el arte a lo largo de la historia"},"content":{"rendered":"<p>Este v\u00eddeo, realizado por Philip Scott Johnson y titulado &#8216;La mujer en el arte&#8217;, recoge <strong>retratos femeninos de los \u00faltimos 500 a\u00f1os en el arte occidental.<\/strong> Da Vinci, Botticelli, Rafael, Bellini, Rubens, El Greco, Manet, Renoir, Matisse, Dal\u00ed, Modigliani, Picasso y muchos m\u00e1s artistas, que est\u00e1n detallados aqu\u00ed con el t\u00edtulo del cuadro, <strong>plasman la mujer de su \u00e9poca a trav\u00e9s de sus ojos.<\/strong><\/p>\n<p>La m\u00fasica es la Sarabande de la Suite para cello N \u00ba 1 de J. S. Bach interpretada por Yo-Yo Ma, uno de los mejores violonchelistas del mundo.<\/p>\n<p><iframe loading=\"lazy\" src=\"\/\/www.youtube.com\/embed\/nUDIoN-_Hxs\" frameborder=\"0\" width=\"420\" height=\"315\"><\/iframe><\/p>\n<p>(Fuentes: El Proyecto Matriz y El Blog Alternativo)<\/p>\n<!-- AddThis Advanced Settings generic via filter on the_content --><!-- AddThis Share Buttons generic via filter on the_content -->","protected":false},"excerpt":{"rendered":"<p>Este v\u00eddeo, realizado por Philip Scott Johnson y titulado &#8216;La mujer en el arte&#8217;, recoge retratos femeninos de los \u00faltimos 500 a\u00f1os en el arte occidental. Da Vinci, Botticelli, Rafael, Bellini, Rubens, El Greco, Manet, Renoir, Matisse, Dal\u00ed, Modigliani, Picasso y muchos m\u00e1s artistas, que est\u00e1n detallados aqu\u00ed con el t\u00edtulo del cuadro, plasman la [&hellip;]<!-- AddThis Advanced Settings generic via filter on get_the_excerpt --><!-- AddThis Share Buttons generic via filter on get_the_excerpt --><\/p>\n","protected":false},"author":30,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[3],"tags":[117,244,598,684,741,763,770,786],"_links":{"self":[{"href":"https:\/\/blogs.elcorreo.com\/colomba\/wp-json\/wp\/v2\/posts\/554"}],"collection":[{"href":"https:\/\/blogs.elcorreo.com\/colomba\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.elcorreo.com\/colomba\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.elcorreo.com\/colomba\/wp-json\/wp\/v2\/users\/30"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.elcorreo.com\/colomba\/wp-json\/wp\/v2\/comments?post=554"}],"version-history":[{"count":0,"href":"https:\/\/blogs.elcorreo.com\/colomba\/wp-json\/wp\/v2\/posts\/554\/revisions"}],"wp:attachment":[{"href":"https:\/\/blogs.elcorreo.com\/colomba\/wp-json\/wp\/v2\/media?parent=554"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.elcorreo.com\/colomba\/wp-json\/wp\/v2\/categories?post=554"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.elcorreo.com\/colomba\/wp-json\/wp\/v2\/tags?post=554"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}